The Visitor

I hear you,
muffled
by the clamor of my mind
stomping the snow off your boots.

The little cloud of steam
your breath makes
seeps through the cracks
of my door.

Where have you been –
walking to and fro in the forest
gazing into the eyes of the doe
leaving traces of your countenance
wherever you go?

You tap softly.
Why do I keep you waiting?
You bring,
tucked into your sleeve,
the bunny with a missing leg
the sparrow with a broken wing.

You wait.
I do not see the silver dagger
gleaming
like a flame in your pocket.

I am cozy in my chair
wrapped in my reverie,
lulled, at ease, and insular.

Abruptly I recall the man
coming this morning to give
an estimate for repairing my fence.
Get dressed!

I will let you in after that.
But task leads on to task
breakfast, mail, the phone.
The fence man comes and goes.
So does the sun.

Later, I think of the bird and the bunny.

Did you find a warm place
for the weak and broken ones
you carried?

In the night turning over in my sleep
I wake,
bent double and breathless,
pierced by the stab
of your two-edged sword.

I do not know when
you took it out of your pocket
or when it neatly penetrated
between joint and marrow
separating the thick sinew
of self from will.

I only know I am so sorry
here in the dark
and so slow

to learn that opening the door to Life
means the death of me.

. . . God’s word is living, active, and sharper than any two-edged sword. It penetrates to the point where it separates the soul from the spirit and the joints from the marrow. It’s able to judge the heart’s thoughts and intentions. No creature is hidden from it, but rather everything is exposed to the eyes of the one to whom we have to give an answer. Hebrews 4: 12-13 CEV

 

You Will Die Before You Finish This Prayer

“I think what is going to help you most when you start your prayer – and it doesn’t matter whether it is long or short – is to make quite sure that you are certain that you will die by the time it is ended, that you will finish before your prayer does!” cheerfully advises the fourteenth century English author of the Epistle of Prayer.

The author, most likely a country parson, is writing to a young person, who asked for advice on how to control the mind when saying prayers. This is a request I often hear. Some things never change in the praying life.

I recently tried the parson’s advice and it about did me in. I attempted to make certain I would die before I completed my prayer, and learned that there is little like death to focus the mind:

The world rushed in with her fetching beauty, her clear blue sky, and yellowing maple leaves, waving, “Don’t forget about me, and me, and the red bird house, and the wren, and the dragonfly and the glaciers gripping the ground, and the wild horses pounding over the plains. The wind, whooshing leaves down the street, sent a shower of glimmering memories – babies, kitchens, ginger snaps, story books – I gave thanks for galoshes to help me wade through all the goodness. I will be ancient or dead before I finish stringing the pearls of this gratitude.

After the gratitude came the love, flowing up to the porch, running under the door, pooling at my feet and rising, slowly to my knees. I climbed up on the table and the love still mounted. Love is the color of spring and snow and fire. It moans and sings and weeps. It tastes bittersweet, smooth and creamy, warm and rich as hot chocolate. Then I grew bold and dared to believe that I could breathe in it, could breathe under-love, and that I would not drown or melt in it. So I slipped off the table and swam a few strokes around the room, then let the love sweep me out an open window into the world, buoyant and giggling.

When I came across the English parson, I had been feeling little gratitude and not the least bit buoyant. Instead of gratitude and this exuberant love, sorrow and longing for God had occupied my heart. My praying life had honed down to a narrow naked ache, like a thorn, for several weeks. I hurt. I went to sleep with the thorn and woke with it, a stab of incompletion and desire, lodged like a fish hook in the center of my being. There was no one thing I could name that would satisfy or heal this pain, but only the one whose name was above all names, who was before there were names.

The thorn was part grief and a prickly call to deeper freedom. As I grieved recent and old losses in the midst of many present blessings and considerable gladness, I was being weaned from some of the things of this world, which are lesser than God. And it hurt. I sensed there was something I was to let go of, but I couldn’t quite see what that was, though it seemed to have to do with some of my mental constructs, attitudes, ways of naming and holding what I knew as reality. It seemed to have to do with who I thought I was and how I held myself together. And this felt really, really scary.

So I prayed, meditated, read holy words, exercised, talked with friends, listened to and felt deep compassion for others. I also played a lot of mindless solitaire on my phone.

I went to the Antiochian Orthodox church down the street, where, except for the jean clad worshippers, I felt I had stepped into an ancient Syrian synagogue where Paul might step out and begin preaching any moment. I let the tonal chants in four part harmony wrap around me, as the icon saints gazed out from all four walls. Each word and act in worship was directed, not to audience appeal, market demographics, or video screens, but to the Holiness that filled the space. It was clear most of the people, as well as all those saints with their sorrowful eyes, also had thorns of longing love in their hearts too.

I have had periods of prayer like this before and trusted God was at work somehow. I know that uncertainty, alienation, and disorientation are part of growing in faith. The temptation during such times is to turn in disgust on oneself, dredging up failures, mistakes, weaknesses, and falling into a dark pit of self-negation. Yet I have learned over the years, that it is precisely, when we feel the most pitiful, that we are most in need of our own tender compassion and love.

During this time I gobbled up The Cloud of Unknowing, another fourteenth century English classic I first read years before. The writer affirmed what I was experiencing and assured me that it was God at work in me. He counsels “to reconcile yourself to wait in this darkness as long as is necessary, but still go on longing after God whom you love. … Your whole life now must be one of longing… And this longing must be in the depths of your will, put there by God, with your consent.” Rats, there seems to be no escape, short of solitaire or The Voice.

I recently realized with relief that the thorn was gone. The longing remains, but the acute pain is gone. This was a few days after I imagined that I would die before I finished my prayer. I have no idea why or how it left. I am just grateful to not feel so gripped and mournful reaching out to the heavens. Living in the cloud of unknowing and uncertainly is difficult to those of us who take pride in our intellect, our ability to be in control, to know things, and manage our own destinies.

Some religion is all suffering and damnation. Some religion is all sweetness and happy thoughts. Mine is sorrow and love. In the painful friction of sorrow and love new life ignites, leaps forth, and gives light in the darkness. Lately the words to When I Survey the Wondrous Cross have been singing themselves in my mind. So much of Christianity is mystery and wonder to me. I am clueless. I go walk around the block with my dog, praying that God make something holy of my life. I do not care what it is.

When I Survey the Wondrous Cross

See, from His head, His hands, His feet
Sorrow and love flow mingled down
Did e’er such love and sorrow meet
Or thorns compose so rich a crown?

Were the whole realm of nature mine
That were a present far too small
Love so amazing, so divine
Demands my soul, my life, my all.
– Isaac Watts

Have you ever found yourself wandering in the cloud of unknowing without a prayer, but the longing of your heart, the aching desire for God?
If you wish, share a little of your experience here.

The Writers Workshop, A Love Story

Lovers entwined, a kiss-print still/singeing your collarbone come morning,

Buzzing cicadas, whose mouthparts reek of root juice.

A splayed hand
nailed to tar shingle
on a Texarkana roof.

A silo squats in kindling grass, kneeling like a giant monk,

Laundry day debunks the laws of physics, where the personal is the thermodynamic, for this homemaker

A Requiem for a shoe: a shabby wingtip with broken ties ….lying on its side in the byway … becomes, somehow holy.

A teacher singing show tunes and weeping in a middle school classroom, filling empty space with melody, another period/full of lyrics; accidents.

These images and snatches of experience, have been resonating in my mind, calling out to me, reflecting parts of myself, and connecting me to someone else’s story, passion, or singular beating hope.

The lines are the work of the following poets in the order in which the excerpts appear:
Timothy Volpert, “Love, don’t limit me to looking,” (untitled poem, first line)
Leah Sewell , The Cicada Fling, excerpt
Ben Cartwright,  Accidents, excerpt
Peter Wright, The Silo, excerpt
Cale Herreman, The Personal Is the Thermodynamic
Sandy Morgan, Requiem for a Shoe, excerpt
Ben Cartwright, Melody and Empty Space, excerpt

The Topeka Writers Workshop

I spent evenings this past summer in the company of a small group of local writers. Mainly younger than I, they are part of what I like to think of as “the hip scene of Topeka creative life”- that outpouring of energy among young artists, musicians, writers, thinkers, and entrepreneurs of the past five or six years.  We meet after hours at the Blue Planet Café to drink coffee and munch the cookies the owner leaves for her writers.

The Topeka Writers Workshop was founded three years ago by Leah Sewell, who facilitates it as well. Leah gently leads us in writing exercises and the workshop model of critique. I joined the group because I wanted to get out of a box and mix it up with people different from me around a passion we share in common, good writing.

The group turned out to be mostly poets. At first I was afraid to tell them I am poet too, having written and published poetry since I was ten or so. But these were real poets, serious poets, the kind, who say they are addicted to poetry and take big risks for it.  One is a PhD candidate in creative writing, another is an MFA candidate. Besides, what I was bringing to the workshop was prose, chapters from a book I have been revising forever.

 

Confession, Mom and the Starlit Road

Yet I need to confess that poetry is in my blood. I remember gathering with my family around the radio in the evenings to listen to Len Howe read mom’s poems, broadcast from WHO radio in Des Moines, Iowa. I recently found in her files a sheaf of postcards dating back to 1948 from the radio station telling her when her poems would be read on the show Starlit Road.  Over 79 of her poems were read,  some more than once.

In the kitchen mom often stopped mid task to grab a towel, wipe her hands, and scratch out a line of poetry on the back of an envelope. I recall her urgency to get a phrase or image written before it went down the drain with the dishwater. Sometimes I sat on a chair while she ironed and read aloud from the first poetry book she owned, Untermeyer’s Modern American and British Poetry, (1928). I loved Edna St Vincent Millay, Robert Frost, and Walter De La Mere.

Only much later would I learn of mother’s inner struggle between longing to be a poet and the demands of wife and mother. When she asked the poet, Paul Engle, why through the ages only men had become great writers, he told her, “Women simply do not have the stamina for rigorous creative arts. It happens in all the other arts as well as writing.” He went on to say that great writing required the writer to suffer great tragedy which apparently the obtuse fellow assumed only came to men.

Poets Exposed

I never took a creative writing class. I skirted around the edges of poetry, deciding to perform it rather than create it. My undergraduate and M.A. degrees were in speech and theatre with a minor in English. I only began to claim being a writer in my mid thirties.

So I sneak into the group with my prose to be critiqued, and, of course, they go after it like poets. Write that paragraph like a prose poem. Take out all the extraneous words. These economical sifters of sound and meaning hone in to the spare, bare truth. They sculpt experience and meaning until reality is exposed, glistening on the page – a newly delivered child wet luminous – like a miracle:

 her long legs dawn strawberry blonde
 & I am an old wolf maintaining the furnace

(Peter Wright, teaching me to swim, excerpt)

They talk about my writing, while I listen:

I don’t think this fits here. It’s good, but use it elsewhere, says one.

This is contemplative. You pose a question and then approach and answer in different ways, notes another, getting what I am up to.

If you can’t already tell, I have fallen in love with them. The tall pianist who lopes in, plays a prelude, and reads his hilarious ironic piece on the ill-fated love story of two workers in a call center for a sex hotline. (Ok, I did blush a little.) The house-husband with a gentle soul needing to talk of something other than lunch boxes, cartoons, and laundry and be known as more than dad and husband. The unassuming woman, who quietly grieves the unspeakable loss of her dearly beloved. The PhD candidate who sends me to the dictionary to look up anamorphic and writes poems that turn over in my mind like ancient runes. The young woman, who shyly offers her poem, anticipating abundance in the putting together of two lives. And our guide, Leah, who tosses off these stanzas:

Above my head a dark sight
thrums and swoops, careens
fast to the blunt flatness
of a fence post. Fallen starling,

parted beak, gasp of dread
glint-wing broken open
in a sinister cape. I cup
its gloss in my palm.

The children fret and coo as I carry the bird
to a canopied place, wish it peace,
and bow away from its pointing eye.

The storm’s outskirt arrives
in black overhead. The wind
grips my face, tells me to get inside.

(Leah Sewell, Backyard,  excerpt)

(By the way, you must read this poem excerpt out loud to taste and feel the wonder of its consonants and rhythm in your mouth.)

Each member brings poems which stun me with their beauty, jolt me with clarity, slap me with surprise, intrigue and invite me into the warm mystery of another human being.

And I like it that they are not churchy. Trust the reader more, they tell me. (Don’t preach.) Let us make the connections. (Don’t patronize.) Let us have our own meaning. (Don’t proselytize.) We are open and welcoming, but please don’t write like the kind of Christian, we were afraid you might be, when you first joined the group. Like hound dogs, they sniff out my defensiveness, my need to please, and expose my vulnerability.

They confront me with my own prejudices and what it means to write about God and even use the J word (Jesus) in a culture where the word, Christian, makes many people, including me sometimes, squirm.

Flannery O’Connor called poetry the accurate naming of the things of God. Taking their cue from the great southern writer, these poets simply inspire me to write poems, to trim away the fat, to consider just what I am trying to accomplish here, and cast off all self consciousness. They make me more contemplative and honest.

Psychologist Carl Jung observed,

Loneliness does not come from having no people about one, but from being unable to communicate the things that seem important to oneself, or from holding certain views which others find inadmissible.

I am interested in communion, that co-union of minds and hearts, that bridges the isolation and the apparent inadmissible truths between us, where we find a home,  if only for a moment or two, in one another. I found it with these poets, reaching beyond their isolation with the things that seem important to them.

Don’t Miss This

If you are looking for a home, a little clarity for yourself, and some good entertainment, come to the Blue Planet Café on Friday evening, September 21 from 6:00-8:00 pm for Topeka Writers Workshop READS. Be there to listen and meet these writers. I think you will fall in love too.

______________

Leah Sewell is a poet, book designer, magazine editor and MFA candidate at the University of Nebraska. She is a past recipient of the Association for Women in Communications Women Making Headlines Award in media and the Penwomen Scholar Award for Letters. Her poems have or are expected to appear in PANK Magazine, Midwestern Gothic, Roufus City Review, Weave Magazine and Begin Again: 150 Kansas Poems. She is the founder and facilitator of the Topeka Writers Workshop in Topeka, Kansas where she lives with her family.

Do You Know What You Know?

Four Great Questions

The word is very close to you.
It’s in your mouth and in your heart, waiting for you to do it.

 I was putting away some of the books which had clustered around my reading chair:  David Brooks, The Social Animal; Contemplation Nation, edited by Mirabai Bush;  poetry by Wendell Berry, The Hunger Games; The Cloud of Unknowing… when I randomly opened one of the books and found Four Great Questions.

The questions are in the book, Yoga and Anxiety – Meditations and Practices for Calming Body and Mind by Mary and Rick NurrieSterns on page 102. I will tell you what they are in just a minute.

I find the world fascinating and cannot get full of the knowledge and wonder of it all. I usually am reading four or five books at the same time. Often what I read opens doors of understanding and appreciation. Other times reading confirms my own intuitions and understanding, or it invites me into whole new places and realities I have never experienced or imagined.

“He doesn’t know what he doesn’t know. He’s actually kind of dangerous,” a friend recently said to me about a young professional on his way up the ladder to “success.” Sometimes we do not know what we don’t know. We may then set out to decrease our ignorance, or remain self-deceived, uninformed, arrogant, and even dangerous.

On the other hand there are occasions when we don’t know what we know, which could also be dangerous. The questions I found on my way to my book shelves are aimed at uncovering truths we already know, but are ignoring, denying, or deceiving ourselves about.

For example, we may know more about what is the best course of action for us, than we allow ourselves to own. Sometimes I play dumb in my relationship with God. I will go back to God over and over with some question I really already have the answer to. Yet I insist on double checking, second guessing, and reconfirming. It is my anxiety and doubt that send me back for continual assurance. I almost seem to prefer wringing my hands and hemming and hawing, than striding confidently, calmly into the next step.

This commandment that I’m giving you right now is definitely not too difficult for you.  It isn’t unreachable.  It isn’t up in heaven somewhere so that you have to ask, “Who will go up for us to heaven and get it for us that we can hear it and do it?”  Nor is it across the ocean somewhere so that you have to ask, “Who will cross the ocean for us and get it for us that we can hear it and do it?”  Not at all! The word is very close to you.  It’s in your mouth and in your heart, waiting for you to do it.   Deuteronomy 30:11-14, Common English Bible (CEB)

Four Great Questions

Sometimes we are not ready to face a truth for various reasons, so we choose to remain ignorant. These questions help you consciously acknowledge a truth that you know deep inside, or to bring into the light a nagging realization that keeps popping up.

1. (Fill in the blank) The truth about this relationship is ______________.

2. I know I need to _______________________________________.

3. The real truth is _______________________________________.

4. What do I know about myself and my life that I haven’t been listening to?

Take some time this week with these questions. Find out what you already know and let me know how it goes.  “The word is very close to you.”

Questions from Yoga and Anxiety – Meditations and Practices for Calming Body and Mind by Mary and Rick NurrieSterns

Not Ten Best Practices for Prayer

prayer..

“Your writing has changed lately,” a friend who reads these blogs said last week. “Is that related to the retreat you went on?”

I have been thinking I ought to write a more accessible, timely post, something about the weather we have endured here in Kansas,  the contentious world of politics, an entertaining piece about my dog, or a list: Ten Best Practices for Prayer. Copy Writer tells me that lists always get lots of views and shares.

Yet, if this is a blog about prayer, it ought to reflect the experience of one who is praying. So at least for today I bring you another update from the silence. One word is really all I have to say: longing, deep vast yearning, reaching toward what I cannot really name.

And as some of you know, my friends, such longing is really kind of awful. Awful in the sense of how it stretches and stretches one ever beyond one’s self. Awful in the sense that it has no end. Awful in the sense that it is out of one’s control or naming. Awful in the sense that it is love that ever seeks its fulfillment in the beloved.

The writer of the Cloud of Unknowing called such prayer a naked intention of love directed to God alone.

 ___________________

A Failure to Communicate

I would like to stand and hold my balance on the threshold
with the wind whistling through the space
where my heart used to be
and watch the birth and death of beings
the coming and going of existence
and somehow fasten myself in that place,

the Alpha and Omega, the beginning and the end.

I have had it with these little cages
we stuff full of significance
and string out across a page
like a rumbling circus parade of gaudy wagons drawn by camels.

The penned beasts of meaning pace back and forth
while we snap the whip and totally miss the show.

Nor is communication a fortune cookie “thought for the day.”

Flirting on the edge of my awareness
where words dissolve
and nothing separates

love broods.

I bang against the bars.
Let me out.
Set me free of me.

Why I long to escape the confines of language I do not know
for when I meet you there,
in that other country, our native land
I will have nothing to say or offer

because you will already have all you ever need.

____________

I tell you this: it is more profitable to your soul’s health, more worthwhile, more pleasing to God and the hosts of heaven – yes, more helpful to your friends, natural and spiritual, dead or alive – that you should have this blind outreaching love to God himself, this secret love pressing upon the cloud of unknowing, that you should have this as your spiritual affection, than that you should contemplate and gaze on the angels and saints in heaven and hear the happy music of the blessed.     The Cloud of Unknowing and Other Works

 

Kairos

I thought of you this morning
while the dove cooed under the feeder
and I knew how I had utterly failed.

How is it with you, really?

Words fill the distance between us
pushing in drifts
against your door.

Discarded costumes, masks, disguises
lie
on the fitting room floor.

I step out to tell you what I want
what I am trying to find here
is the one
true moment

which strips off
the tight suits of expression
to expose
the bare naked beat
of love.

_____________

I cannot tell you how deep
is this need to communicate,
how vast the reach of longing.
We plead face down in the dirt.
You who know no separation,
make us one.

The Closing

A life time is like a flash of lightening in the sky
rushing by like a torrent down the steep mountain.  Gautama Buddha

It is done.
The message glowed in my palm.
The screen went dark.
The home full of light and memory
had passed neatly out of our hands.

Half a day’s drive north
we rose with the birds
to wash our faces
walk to our cushions
sit in stillness
as the sun came up.

Occupied with the throb
and slosh
of humans being,
minds alert
to the swell and surge
of experience,

we did not gulp or grasp,
but lifted our forks slowly
to savor what was on our plate.

Carrying our cups attentively
like offerings of fragrant brew
we got insights
we got bored
our necks ached
our necks really ached
our legs cramped
our minds sank.

Fur grew in our brains.
A cat named Torpor climbed up our bodies,
stretched herself across our shoulders, purring.

We stepped carefully along the drive,
the wooded path, the lawn.
When the bell startled
the still air and the finches flew,
we returned to sit
and then to walk
and sit again.

Up against our limits for the taste of God,
we picked up our hand held devices
just to check the time
and well, maybe, any messages
and then like hopeless junkies
shot up
with the news.

And, Lord, like Peter, (say it)
we slept.
We could not stay awake one hour
to watch our own suffering
let alone yours.

And the tall ones,
full of grace, like some exotic species,
came and moved among us.
We tried not to grasp
their beauty with our eyes
or covet their youth.

When they left too soon,
we, shoulders shaking, sobbed,
Oh no. Oh no.
Oh please don’t go.

But they with other roads
to travel and business
of their own stepped easy
over the threshold, saying

Let go. Let go.

And Mary said,
They have taken away my Lord,
and I do not know where they have laid him.

And the angel said, He is not here. He is risen.

And Jesus said,  Don’t
cling to me.

And raccoon, rotund and tight with bloat,
lay on the side of the road
and said,  See my insides are turned out.

And Coyote
trotting briskly across the clearing in bright midday
paused to look behind his shoulder
then disappeared into the woods.

A thick snake of ancient sorrow
rose up in us from miles below the surface
twisted, heaved us double with its force.
A wind whistling loneliness
whined and keened through all the spaces
in our bones.

every
thing
is going
back
and forth
across
a threshold

coming into existence
and going out of existence

while the dying rising one stands ever
on the brink
offering
a torn fragment of what is so

lost opportunities
things we have done we cannot change
our loved ones whose graves we want to tend

 we gaze at the ragged piece of our existence
resting in his tattered palm

Jesus, how will this ever be enough
to satisfy our hunger,
or slake this sorrow?

 Take. Eat, he says.
Be healed of thy affliction.

Thou, who gives and bears away,
grant us mercy
to take each moment
to our lips
and drink the cup you give
bitter,  sweet.

Give us,
O Sentry at the terminal,
where all things come and go,
the appetite and wit
to swallow and digest
entirely
what is so.

________

You sweep people away like dreams that disappear. They are like grass that springs up in the morning. In the morning it blooms and flourishes, but by evening it is dry and withered. Psalm 90: 3-6 New Living Translation

This existence of ours is a transient as autumn clouds. To watch the birth and death of beings is like looking at the movements of a dance. A life time is like a flash of lightening in the sky rushing by like a torrent down the steep mountain.  Gautama Buddha

Do not let your hearts be troubled. Do not let them be afraid. John 14:27

How To Eat A Piece Of Chocolate

This image was selected as a picture of the we...

Wake up. Pay Attention.
Jesus

It matters little to the soul in what manner
it is obliged to abandon itself,
and what the present moment contains;
all that is absolutely necessary
is that it should abandon itself unreservedly.
Jean Pierre de Caussade

Don’t gobble it.
Don’t do anything else while you are eating it.

Do not read email.
Do not watch TV.
Do not adjust your makeup.
Do not drive the car.
Do not talk to someone.
Do not try to write about eating chocolate.

Sit down. (This is going to take a while.)

See the wrapper.

Examine it, noting the color, graphics, ingredients, and company information.

See the lineage of your chocolate.

A small tree is tucked under the upper canopy of the rainforest, probably in West Africa. Anchored in rich soil, bathed in high humidity and tropical heat, the cacao tree sways in the breeze. A tiny midge, bred in the tree’s decaying leaves on the forest floor, begins its journey upward to crawl within the five petals of the white, dime-sized flowers blooming directly from the trunk. After the flower fades, a pod develops, stuffed with seeds, which are picked, fermented, dried, and ground to make your chocolate.

English: Cacao (Theobroma cacao) Español: Plan...

See the farmer who planted and cared for the cacao tree.

See the workers harvesting the beans, hauling the harvest, inventing, and operating machines. See the long train of people who have brought this chocolate to your hands and at what price? How many were children? Who suffered? Who gained? What has it taken to bring this smoky rich flavor to your mouth? How many miles has it traveled on someone’s back, by cart, conveyor belt, crate, ship, plane, or truck? How many hands has it passed through – plantation owner, shipper, factory worker, buyer, grocery stocker, check out clerk – to bring it to your hand?

Say thanks.

Relax. There is no rush here. Not now.
You hold eternity in your palm.

To pay attention and be fully present in each moment is to meet eternity. For each moment offers in its endless treasures all you will ever need for that moment. Some call this the sacrament of the present moment, or being present. Others call it mindfulness. Jesus called this quality of trust-filled awareness the kingdom of God.

Remove the wrapper.

Feel the weight, see the color and shape of the chocolate. Lift it to your nose and sniff its fragrance. Do you catch the whiff of forest nights, heavy with insect song and stars?

Run your finger over the chocolate. Is it smooth like satin, rough, or molded in some way?

Break off a piece. See it separate and reveal its interior.

Now bring it to your mouth.
Wait. You are getting ahead of yourself.

Slow down.

Do not eat it before you eat it.
First, bring it to your mouth to bring it to your mouth.

Pay attention to the impulse to lift your hand and the complex brain chemistry and mechanics of respiration, circulation, nerve, muscle, tendon, and bone, which perform this feat at your merest whim.

Feel the chocolate touch your lips. Run your tongue over the surface.
Press
your teeth into it until the chocolate gives itself to you
and splits in two.

Hold the forest, the flower, the midge, the wind, the suffering,
the unappeasable appetite of commerce, a thousand sweaty hands,
and a thousand sultry nights
in your mouth.

Feel them soften and release their sweet, spreading river of bitter, buttery cacao.

________________

Mindfulness is the miracle by which we master and restore ourselves. It is the miracle which can call back in a flash our dispersed mind and restore it to wholeness so that we can live each moment of life. Thich Naht Hahn

The present is ever filled with infinite treasure, it contains more than you have capacity to hold. . . .The divine will is a deep abyss of which the present moment is the entrance. If you plunge into this abyss you will find it infinitely more vast than your desires. Jean Pierre de Caussade

Writing Exercise
Eat something mindfully, awake and aware in the present moment, and write about your experience. How did you feel when you began this exercise? How did you feel when you completed it? What did you notice, experience, or learn?

Chocolate tasting selection

Friends, I will be away from writing and reading for the next two weeks . I will spend ten days in silence and meditation, practicing mindfulness, as I walk, breathe, wash my face, and eat a little chocolate.

Perhaps we will meet in the spaces of eternity in each new moment.
Until then, pay attention!

Loretta

The Writing Exercise

Write a letter to a landscape or scene you pass through today.
For example, “Dear Branner Trafficway.”

Dear Mom,

You rest now in my way.
The plastic cartons I put you in
clutter the path
from
kitchen
to office.

I step around the contents of your dismembered
life
trying not to trip,
coffee cup in one hand
sheaf of papers in the other.

Squeezing past a bin
I stumble upon
your journals
tales of trips
to the woods
wildlife sightings
what happened last Tuesday,
and how Gladys brought over a pan of sweet rolls,
still warm from the oven
poems about birds and babies
dragonflies
and things you cannot change and break your heart
word snapshots and watercolor sketches –

scattered orange road construction cones
confuse the once familiar scene.

The blue china sectioned dish you fed me from,
when I kicked my legs in the high chair,
peeks over the top of another box.

Photo albums, the ducks you carved,
and all the letters and cards I ever sent you
occupy the landscape of my life
and I am no longer sure
how to get from here to there.

Periods of disorientation are part of the spiritual life Biblical theologian Walter Brueggemann tells us. Such periods precede what he calls new orientation. Brueggemann charts how the history of Israel tells the story of orientation, confusion and loss of direction, and new clarity over and over. The story culminates in the crucifixion and resurrection and then continues with the church and our individual journeys as well.

What are the inner and outer landscapes you are passing through today? Take a moment to share what you are witnessing so we all may grow closer to seeing the big picture.

Thanks to Melissa Sewell and Leah Sewell and the Topeka Writers’ Workshop for inviting me to pay attention to my landscape.

Boring Church and the Vulnerable God

There is a bit of the scientist in anyone who sets out to test in his or her own life if Jesus Christ is really all he is cracked up to be. “Prove it,” the contemplative says to God. Here are all these promises: freedom, joy, abundance, peace, wholeness, justice, truth, and life eternal. “Show me,” says the contemplative, setting out to experiment with divinity in the laboratory of experience.

In the beginning God is the object of the search. At some point God may peremptorily rise out of the test tube and take over the experiment. I find myself being dissected. My soul is flayed open by truth. I am blinded by glaring light and toasted over a Bunsen burner, where my impurities are burned away and I am distilled into my essence. I am no longer in control of this process. The knower and the known have shifted places. And truth is not something I can find, but something that has me in its grasp.

Theologian Lesslie Newbigin observes, “Reason, even the most acutely critical reason cannot establish truth.” … [This is because] You cannot criticize a statement of what claims to be the truth except on the basis of some other truth-claim – which at the moment – you accept without criticism. But that truth-claim on which your critique is based must in turn be criticized. Any claim to know truth is, therefore, simply a concealed assertion of power.” (Truth to Tell, The Gospel as Public Truth, Eerdmans, 1991, pp 29-30.)

The work of scientist Michael Polanyi reminds us that “all knowing involves the personal participation of the knower, that knowing always involves the risk of being wrong, and that the struggle to know calls for the fullest exercise of personal responsibility.” Truth to Tell,  p.51)

Instead of seeking proofs of God from reason or experience, the contemplative finds fulfillment simply and humbly dwelling in love in God’s presence.  The contemplative gives God entry into the world, not through a claim of truth, but through a believing heart. Instead of an exercise of power through the assertion of my reality over yours via dazzling argument or feats of spiritual prowess, the contemplative takes the vulnerable route of allowing God to make God’s own appeal through the context of his or her surrendered life.

I acknowledge my vulnerability when I say, “I cannot know it all. I may be wrong. This is what I see. This is what I am responsible for articulating as clearly as I can.” We might characterize the spiritual journey as the process of discovering right relationship to this vulnerability, which we meet in ourselves, others and in God.

By vulnerability I mean capable of being wounded and wrong, open to attack or damage. Our vulnerability may include our sin and temptation to evil, our failure and weakness – wherever we are not whole, wherever we fall short of the glory which is our promised inheritance as God’s children.

We can relate to our woundedness in many ways: with anger, resentment, impatience, contempt, deceit, shame, and blame. We can so identify ourselves with our vulnerability that we know ourselves only as victim. Then, committed to our suffering and stubbornly resistant to healing, we may defend our wounds with fierce loyalty.

God sends into our consciousness, into the heart of matter, Holy Vulnerability in the form of Jesus. It teaches, heals, suffers, dies, and rises saying, “Look, watch me. This is what it means to be human. It is all right. Everyone is wounded. Follow me and be healed.”

Over and over Jesus’ ministry reached out to the vulnerable ones. He brought home the lost and the misfits saying, “You belong too.” He didn’t bring them back to turn them into Jews or folks like him. He just brought them back saying, “You, just as you are, are important. You have a contribution to make. We need you. You belong.”

Loving Jesus takes away our shame for being human like nothing else can. For he shows us how to be poor, how to value and appreciate our vulnerability. He tells us the vulnerable ones will see God and inherit the kingdom of heaven. He helps us get off our high horse and come down where we ought to be on our knees.

In the painful encounter with our vulnerability and diminishment, we meet the diminished suffering God and our own holiness. For in my poverty I discover my true worth. Stripped of what I can do, what I possess, how I am known by others – all the external ways I have attempted to create worth for myself, I find my true self in the center of my humility, which is also the dwelling place of the Trinity.

I used to read my children a story about a little girl who was born with a long tail like a dragon. Various characters seek to help the child with what is perceived by some as her disability. I liked Mike the cat’s approach best. “Teach her to love her tail,” he sagely advised. He shows her how to switch her tail back and forth, wind it around the fire escape railing and hang upside down. Teach her to love her tail.

Part of the task of the church is to teach us to love our tails and God’s tail, Jesus. Spirituality without Jesus Christ is spirituality that may be resisting the fundamental truth of our vulnerability. It may be a spirituality that, well or ill disguised, is exercising power, trying to be God.

The world holds vulnerability with fear and contempt. The church ought to teach us to hold it in our arms and love it. But the church is, of course, vulnerable too.

I was trying on a new hat when eleven year old Cicelia observed that you should always wear a hat to church. “It protects you from boredom, mom. The boredom rays, like the ultra violet rays from the sun are in church and sometimes at school. If you have a hat, you will be protected from the boredom.”

I hope the place where you worship is not boring. Maybe if churches had more to do with being with God and less to do with talking about God, things wouldn’t be so boring for Cicelia and others. As EvelynUnderhillobserved, “God is the interesting thing.”

A good deal of church seems to have little to do with God and is conducted as though God were, if not absent, at least very far away. Little time is given for God to get a word in edgewise. Our frantic activity and anxious busyness comprise our faithless creed that not much of anything can happen without our doing it ourselves.

Perhaps it is just too risky, too frightening. What if nothing happens? Nothing is changed or accomplished? Once Cicelia put a sign on her door painted in large red letters: KNOK or ELSE! Red paint ominously dripped from the letters like blood.

Jesus, we know you stand at the door and knock, but beware! We are resistant to transformation, devoted to our losses and the sins of others against us, and do not really trust your power in our lives.

The church will always be imperfect. It will be unimaginative and boring and rigid sometimes, because we are unimaginative and boring and rigid sometimes. Thank goodness God’s presence doesn’t depend on our winning academy awards in best Pentecost service of the year.

I have been in so many churches where you wonder why anybody comes at all. What with the dozen dusty arrangements of silk flowers and the sappy pictures of Jesus and the bad roller rink organ music you wonder what the appeal could be.

The appeal is, of course, Jesus. Jesus is there and active, because the people believe in him. Their vulnerable belief holds the door open for the vulnerable God to enter.

Knok or Else.  He is likely to walk right on in.

This post is an excerpt from my book written about learning to pray as I raised children in small town, Holton, Kansas. Loretta Ross (Ross-Gotta),  Letters from the Holy Ground – Seeing God Where You Are, Sheed and Ward, 2000,  pp 119-122.