Tag Archives: Rainer Maria Rilke

Made of Yearning and Rumors of God

In the past year I have lived deeply into two books. I returned over and over to taste and savor their wisdom, as though I were sucking on a bone, which had simmered all day long in a crock pot.

In my writers’ group, The Topeka Writer’s Workshop, I marvel at the swiftness of the group’s feedback, their pithy responses, useful suggestions, and on point critique.   My cohorts are all “real poets” in my mind and more knowledgeable about literature and the craft of writing than I am. At our workshops, they leave me in the dust, reading and rereading the rich words on the page.

I am  still at the third line rolling the author’s word choice or images in my mind, chewing at the wonder, and licking the juice off my fingers, when they are ready to move on to another poem or story. I feel the same way at public readings. As the audience softly murmurs admiration and claps politely, I want to holler and whoop, rise to my feet, pump the air and shout: “Wait a minute here! Please stop and let us all think about what you just read! This is magnificent.” And then turn about in a little dance.

Thus, you may understand how taking a year to read one or two book s of poetry suits me well. When I am not dawdling with poems, I devour mysteries, fiction, and spiritual/theological nonfiction. To be honest I am getting my fill of the spiritual/theological/what-should-we-do- about- the-church nonfiction, and plan to branch out into zombies and urban fantasy this year.

Here is one of the books of poetry I lived with last year: Mark S. Burrows’ translation of Rilke, Prayers of a Young Poet . I will share the other book with you in a later post.

orthodox monk

As the seasons of last year passed,  I looked over the shoulder of a young monk composing his prayers to the  Dark Mystery who courted him in his small cell. I watched his struggle for words to name the Unnameable, and for color and line to write an icon that might lift a corner of the curtain that covered his shy Beloved.

I followed the poet/monk into the forest and onto the ever expanding heath, as he entered into the secret intimacy of the One who would not let him go. I sat up with him late at night and tasted that ache of loneliness that borders solitude and finally becomes the gate which springs wide open onto union. The key to the gate is losing that pesky self, which seeks always to assert its primacy to grasp and to possess. I watched the monk’s continual surrender to and reverence for the holy beauty of his own weakness and deep need, where, wonder of wonders, the vast and luminous Dark Mystery makes its home.

It is true that half of what Rilke writes I do not understand, but neither do I understand God. Burrows beautiful translation of Rilke’s poems opened me to the passion and nakedness of soul of the young monk, which Rilke creates for us. The monk, smitten with what he cannot fully contain in his prayers, or comprehend, enlarged my appreciation of the ultimate hidden poverty  of God in the human soul.  I am more comfortable now with my own inscrutable self. And  I am more trusting of the exquisite beauty and uniqueness of God’s presence in the lives of those I counsel.

Here are some lines from the poems in this book I take with me into the new year:

But through it all rumors of God wander
in your dark blood as if along dark alleys.       p.73

Carry that that line around in your pocket for a week or two. Or  write the ones below on a scrap of paper and tuck it under your pillow:

He teaches you to say:
You my deeper sense
trust that I won’t disappoint You;
there’s so much clamoring in my blood –
but I know I am made of yearning.       p 74

And this from the young monk’s letter to his superior:

I live a pious life. I don’t call upon any court,
and my prayer with which I sometimes exalt myself and which I sometimes speak and sometimes live
is: “Make me simple
that I might become ever more whole in You.”  p. 101

In this new year may you be met by the the Mystery of Love in the alleys of your own dark blood.

We all are made of yearning
and the Yearning Itself is Holiness
aching for wholeness in us all.

   Oh, Great One, make me simple, make me little, make me small!                 

                                                                                                                          Loretta +

carthusian nus

 

For any who would like to read the latest issue of Holy Ground, here it is :Autumn 2014 – Let Go and Keep at It  It is about the ongoing task of the spiritual life: surrender. What do you need to let go of and leave behind in the new year?

Your gifts to the Sanctuary Fund and subscriptions to Holy Ground keep us going and are deeply appreciated. Thank you!

A Prolonged Hesitation – Meeting God in the Spaces

Ireland Upland

Silence is God’s first language. – John of the Cross

Spaces captivate me. The spaces between things – pauses, silences, rests between notes, empty rooms, expanses of prairie, moors, and highlands.  A friend of mine from a large urban center once came to Kansas for a visit. I drove her out west on I70. The empty space terrified her. She much prefers the human made canyons of New York City, than places where the land itself dominates the environment and asserts its untamed, mysterious vitality.

In my work as a listener to the stories of others, I find the spaces between the words, the sudden silences, or the time a person takes for thinking to be where the treasures lie, where holiness abides.

flintyhills3

I recently found a friend in the poet, Rilke. I drove south through the stunning space of the Flint Hills to Wichita to The Magnificat Center. This haven of hospitality and spiritual nurture hosted a retreat led by Mark Burrows, scholar of medieval Christianity. Mark had recently translated some of German poet, Rainer Maria Rilke’s early poems.  Prayers of a Young Poet, Paraclete Press.

For an evening and a day Professor Burrows opened up Rilke’s poems like small packets of compressed holiness. Once set free by Burrows’ translation and our imagination, the poems awakened us to the immense and voluminous God this young poet had discovered.  In the spring of 1899 God had wooed Rilke during the Russian Orthodox holy week services at Moscow’s Cathedral of the Dormition.  By the end of our brief time together I felt the room we gathered in enveloped by presence and I, too, felt holiness pulsing in me.

The resonance of Rilke’s images and Mark Burrow’s masterful interpretation slowed me down, and ushered me into in the mystery of Rilke’s God. I was taken out beyond myself and the horrible cold I had brought with me to a more spacious place. The image Rilke used to express his desire to touch into God’s immensity was heath, the open, treeless landscape of moor and bog.

Whatever you yearn for, my soul, say it
Be heath, be heath, be wide.
. . . .
Be heath, be heath, be heath

Prayers of a Young Poet, translated by Mark Burrows, p 30.

Heath view

What is it in us that allows God to meet us with fullness, depth, and beauty? The potential is always present. Love or loss of love may do this, preaching may do this, sacraments, art, music, nature, beauty, may do this. Yet we must offer the space, the openness, the inner heath or expanse of Kansas Flint Hills to become the altar for this dancing God.

As the psalmists, prophets and Jesus knew, poetry may offer such an altar for the sacrament of presence.  Paul Valéry defined a poem as “a prolonged hesitation between sound and sense.” That is also not a bad definition for a parable. Parable and poem both dis-orient, surprise, stop us in our tracks, and expand our awareness beyond our previously known world.

Poetry invites, even demands that we hesitate, off balance, scratching our heads, to teeter between sound and sense. Most things which reveal Transcendence (that which is beyond our selves) require us to enter the unfamiliar and wait on the edge of not knowing, without having to rush in and fill the moment with a refutation, argument, praise, or anything to end the awkward, uncomfortable “dead” space. It seems to me that good art makes us hesitate and allows what we may perceive as dead to rise up before us. Surely good preaching, celebrating sacraments, and prayer ought to do the same.

Moor
Yet hesitation is seen as a flaw, a lack of confidence, or making someone have to wait. Thomas Merton wrote that we live in a time of no room, in which we are “obsessed with lack of time, lack of space, saving time, conquering space, projecting into time and space the anguish produced within [us] by the technological furies of size, volume, quantity, speed, number, price, acceleration.” Thomas Merton, A Book of Hours, ed. Kathleen Deignan, p 32 

We live in a time of no room with no space for a soul’s edges to roll out, unconfined by agenda. Hemmed in by a culture which has convinced itself that time is a commodity, of which there is great scarcity, our souls become cramped, stunted, and deformed by the crushing weight of  having to produce and fill every moment with sound and human activity.

communion cup

Time is the sacred vessel of encounter with divine presence.  Where else do we think it is going to happen, if not here, now in this moment? We put little, if any, space between and within the words we speak to one another. We have little available “random access memory” in our minds.  Words pile upon words. Life is reduced to thirty second sound and image bites. Minds are crammed and obese with knowing, calendars booked solid, days filled with activity, and hearts full of oneself.

Who among us will be bold to hesitate, to linger in the land of uncertainty on the shore of wisdom?   Who will offer shelter for silence to collect itself, curl up and hum to itself in the sun? Who will be heath?

________________________

Please note Praying Life Readers: I will be leading a retreat at the Magnificat Center in Wichita, Kansas on March 22-23, 2013.  For more information and to register: Retreat led by Loretta F Ross  It would be great to see you there!